Frost planted 1,000 red pine seedlings
at the Stone House in 1921. He obtained them from the state of
Vermont as part of a soil conservation program popular in the
1920s. Frost's friend Dorothy Canfield Fisher of Arlington had
planted a grove of them. By the time Frost saw them in 1920 they
had grown, and he admired their bushy form and lush color. Frost
and his son, Carol, planted the trees on the northwest part of
the Shaftsbury farm in plantation style. He thought a poet could
grow timber as well as apples; the trees could take care of themselves
and that appealed to him.
Today the red pines are almost 90 years old. Museum director Carole Thompson found mention of the pines in a Frost biography and set out to find the trees. Thompson says, "Red pine is quite distinctive for the flaky red bark. I had never seen a red pine, but once you have, you cannot mistake it for anything else. We found them right where the biographer said, down in the woods, northwest of the house."
Now what could the museum do with this wood? The Frost grandchildren have been wonderful supporters of the Stone House since it opened in 2002. Many family treasures have been donated to the collection. Grandson John Cone, Jr. the son of Irma Frost Cone, has been in touch with the museum over the past several years. He gave a talk here in 2008, and he told us about two tables in his possession that Elinor Frost had given his mother from the Gulley, the other Frost farm in Shaftsbury.
These two tables had been passed
down through the Frost family since the 1930s. Both John Cone
Jr. and Sr. were architects. It was proposed that replicas of
one of the tables be reproduced in Frost's red pine. That seemed
like a happy marriage. Mr. Cone used his skills to produce blue-prints
of the table, a simple drop-leaf design with turned legs.
Two excellent Vermont craftsmen were selected to make custom, hand-crafted prototypes of the table. It was an experiment to see if the table could be replicated in pine. Bob Gasperetti (left) of Mt. Tabor and Ray Mullineaux of North Bennington divided the woodpile and each man made a table. Both craftsmen are experts in fine furniture making, but pine is a challenge, especially when it comes to turning table legs. Could it be done? The answer is, "Yes it can!"
Some of the red pine boards have
a distinctive "blue stain" that runs in the wood grain.
Some of it is grey and some quite blue, while the wood is white.
A simple polished oil finish is being applied to the prototypes.
Due to variations in the wood, every table will be unique. The
scale of the table is charming. It seats four comfortably or could
be used as a desk. It is very compact when the leaves are dropped.
Tables can be shipped anywhere in the world.
There is enough wood to make six
tables all together. One of the first tables will be permanently
housed in the "Stopping by Woods
Room," where Frost wrote his famous poem "Stopping by Woods on a Snowy Evening." The other table will be sold as a fund-raiser. Additional tables will be made-to-order for people who may be interested in owning a Frost table made from the red pine that Frost planted. Contact Carole Thompson at the museum for more information on price and availability.
In addition to the tables, the red pine and other woods from the property have been made into small, more affordable crafts such as
book marks, letter openers, spinning tops, little spoons, pencil trays and walking sticks. These items are crafted by Joe Comi of
Pownal, and Joe Laferriere of Colchester, Vermont.
Carole Thompson says, "The apple trees we propagated from cuttings, and the red pine tables are two ways to bring Frost into our homes and hearts. They are sentimental things to treasure, the embodiment of a poet's art, for those who are truly Frost bitten."